One of the trends/ideas that surfaced in my former workplace around fifteen or so years ago was the idea of having the workplace be inclusive. I googled the term 'inclusive workplace' recently, and this is what popped up as the first link: Inclusive Workplace - Canadian Association for Supported Employment
Friday, November 29, 2024
Inclusive workplaces?
Wednesday, November 27, 2024
Happy gardeners and birdwatchers
Monday, November 25, 2024
Winter darkness
The darkness of winter is beginning to descend upon us now. Saturday December 21, which is the winter solstice, will be the shortest day of the year. We are already beginning to experience shorter days, with today's sunrise at 8:39 am and sunset at 3:28 pm. I remember when I first moved to Oslo in the late autumn of 1989. It was difficult to get used to the shorter days, even though the days get shorter in New York too. But not as short as in Oslo. For example, in Manhattan, today's sunrise was at 6:54 am and the sunset will be at 4:30 pm. In other words, sunrise is almost two hours earlier in NYC and sunset about one hour later in NYC compared to Oslo. Of course that makes a difference to your body.
I remember that I was tired a lot during the first winter I lived here. The darkness didn't bother me in any other way. I didn't suffer from SAD (seasonal affective disorder), which is a kind of winter depression. But I missed the longer days, or at least my body did. And now, having lived here for over thirty years, I finally understand why Norwegians are almost sun-worshippers once the summer comes. I've become one as well. The summers are the complete opposite of winters--long days with a lot of light. That too took some getting used to. If we were out on the town partying until 1 or 2 am in the 1990s, we'd come home and try to sleep, and it was hard because at mid-summer, the sun was already starting to shine. For example, on June 20 of this year, which was the summer solstice and the longest day of the year, sunrise in Oslo was at 3:53 am and sunset at 10:43 pm. And even when the sun goes down at almost 11 pm, the light in the sky doesn't really fade away until around midnight. That's the nice part of summer, because if the weather is nice and warm, you can sit in the garden until at least 11 pm if you want to.
I hope we have fewer gray days this winter than last winter. Last winter was one of the worst in memory, and I'm not the only one who feels that way. Many Norwegians I know feel the same. It was a cold, icy, snowy and gray winter that began in mid-October. This year we've been lucky; we've had a mild autumn, with temperatures around 50 degrees F throughout most of October and well into November. It's only really the last week or so that temperatures have dipped below freezing. Today we were back up to around 50 degrees F.
Whatever this winter brings, I'm prepared. I bought several down-like vests, a new long outer down-like coat with a hood, new studded boots so that I can walk on the ice (I can flip the studs in and out as needed), and thermal gloves. But I'm still hoping for a mild winter with very little snow. I can't do much about the darkness though.
Caring for the birds in winter
Friday, November 22, 2024
Will Smith - Men In Black (Video Version)
Patrice Rushen - Forget Me Nots (Official Video)
Thursday, November 21, 2024
Another poem--Dreams Like Smoke-- from my collection Parables and Voices
My poem--Train from Michigan
This is a poem from my first published collection of poems entitled Parables and Voices. You'll find it on Amazon if you'd like to read more of my poetry (Parables and Voices: A Collection of Poems 1973-2009: De Angelis, Paula Mary: 9781452838762: Amazon.com: Books).
Train from Michigan
Wednesday, November 20, 2024
Heather Nova - Aquamarine
SLEEP by Amanaska
Monday, November 18, 2024
Are you a dreamer or a realist or somewhere in between?
Today's Pearls Before Swine by Stephan Pastis.....
Perhaps better to be a realistic dreamer? Or an optimistic realist? Are they 'realistic' possibilities in our black-and-white, have to choose one side world? Probably not, but they should be, since most people are dreamers sometimes and realists at other times, or somewhere in between.
Friday, November 15, 2024
My new poem--Friday afternoon
Friday afternoon
On a hill overlooking the river
Watching the autumn sky
The shifting colors of the clouds
From gray to blue to white and back to gray
The world looks inviting on a Friday afternoon
People hustling and bustling here and there
Voices of schoolchildren in the background
Playing happily
Crows and magpies hopping about on the wet leaves
Looking for an insect or two
In the mild autumn weather
I think, isn’t life a beautiful gift
To hold in one’s hands
A fragile one to be sure but beautiful just the same
Being this age, knowing that most of life is behind one
Not a care in the world, really
I can sit on a park bench
On a Friday afternoon
After a long walk
Free these past three years
From the stresses of a worklife
That I do not miss
That I grieved the loss of years ago
The loss of something that made it work
Until it no longer did
I think, this is the way to live life
To be able to be outdoors, to walk
To appreciate the ability to be able to
To have gratitude
Is it such that we must age
In order to be grateful
Or can we learn gratitude
At any age
It would behoove the world
To learn gratitude
To get on its collective knees
And thank the divine for all that it’s been given
The world is not very good at that
Wednesday, November 13, 2024
The series My Brilliant Friend has come to an end
As I have written about in previous posts, the Italian author Elena Ferrante wrote a brilliant series of books, My Brilliant Friend, The Story of a New Name, Those Who Leave and Those Who Stay, and The Story of the Lost Child (the Neapolitan quartet), that were turned into a television series called My Brilliant Friend that currently airs on MAX (formerly HBO Max) (A New Yorker in Oslo: Elena Ferrante's brilliant Neapolitan quadrilogy; A New Yorker in Oslo: My Brilliant Friend is a brilliant HBO series).
The series is one of the few television series that manages to capture the intricacies and the emotional depth of the books and to describe the complicated and often warped friendship between Lila and Elena. It also manages to capture the heavy and claustrophobic atmosphere of the Naples neighborhood where they live, in an almost perfect way. Each book was filmed as one season, so there were four seasons in all. Each season, with the exception of season four, consisted of eight episodes; season four was ten episodes long. We watched the last episode tonight, which was an emotional experience for me, knowing that the story of Lila and Elena's lives has now come to an end. We will never know what happens to Lila; she disappears from Elena's life without a trace. Elena, now in her sixties and living in Turin, has had no contact with Lila for a number of years prior to her disappearance. Apparently Lila had not wanted that, even though they parted as good friends when Elena left Naples with Imma to move to Turin. Lila's son Gennaro is understandably upset about his mother's disappearance, and calls Elena to ask if she has heard from her. She has not. It is at that point that Elena decides to write the entire story of their lives together--when she knows that Lila has left her life for good. She is angry at her for disappearing, but at the same time I think she realized she was finally free.
There are several ways to interpret the ending. One afternoon, after Elena has been out walking her dog, she returns home to find a medium-sized package in her mailbox. When she opens it, she finds the dolls that she and Lila had when they were children, and which they threw into a damp dark cellar at Lila's prompting. When they went to retrieve them a day or so later, they couldn't find them. Lila said at that time that she knew who had stolen them, but as it turns out, it was likely Lila who had retrieved them and hidden them away for many years. Why, no one knows. The motif of the hidden doll reminds me of Ferrante's other book--The Lost Daughter--where the protagonist, a middle-aged woman, finds a doll on the beach and hides it away in her vacation apartment, fully knowing that there is a little girl on vacation with her parents who has lost that doll. There was an evil streak in Lila that surfaced from time to time; she could be mean and spiteful, and then suddenly nice and even kind. She pulled Elena toward her and then pushed her away. It was that kind of friendship, and Elena let it evolve that way, even accepting her role in its evolution. She rarely stood up to Lila, choosing more often to observe and reflect on the ups and downs of their friendship (and to eventually write about them). So if it was Lila who sent the dolls to Elena, why then? It was Lila's way of admitting that she had lied all along to Elena about what happened to the dolls. It was Lila's way of letting go of the past, of apologizing, of moving forward with her life after all the suffering she had been through (the disappearance of her daughter Tina) and all the suffering she caused others. But what happened to Lila? Did she 'disappear' in order to live the rest of her life on her terms? Did she commit suicide (she had talked about wanting to be deleted from society)? Did she meet an unhappy end? Did she reunite with Enzo and did they live 'happily ever after'? Did she spend the rest of her life wandering around Italy searching for her daughter Tina? Or did she accept that Tina was probably dead? If so, then she could move on with her life, live and travel without the burden of grief. And to be a bit provocative, is Elena Ferrante (a pseudonym) really Lila, or Elena? I have always thought Elena. We'll never know the answers to these questions.
I think that with the arrival of the lost dolls, Elena understood that she and Lila were now free of each other, free to pursue their lives independently of one another. It was a strange complex friendship and a rather unhealthy one. They were both dependent upon each other for different reasons; Elena on Lila because Lila encouraged her to write and forced/challenged her to have confidence in her abilities, even though she was envious of her. Elena was also driven by fear--fear that Lila would capture Nino's heart, and a fear (that she never completely shook) that Lila was (or would have been) the better writer. Lila needed Elena because Elena provided her with emotional and mental stability and a sense of normalcy. She could depend on Elena. Lila was emotionally-unstable, whereas Elena was more rational and cold in the sense of being the observer.
I will miss this series, miss the depiction of women's lives in Italy over many years, starting in the 1950s when Lila and Elena were children in Naples. How painful it was to see how difficult it was (and still is) for women to write and raise a family under a patriarchal system (personal and societal) where men ruled, and the often disturbing family dramas and conflicts. Elena, despite her success as a writer, is foolish when it comes to her love for Nino, who is nothing but a shallow womanizer like his father--an intellectual pretender. Nothing I write here can really do justice to either the books or the series; they have to be experienced in order to understand the depth of the emotional lives of two Italian women who each considered the other to be the more brilliant friend. But it was Elena who wrote the books, and who considered Lila to be her brilliant friend. Lila was fiercely intelligent, even brilliant, but her talents were thwarted from a very young age by an unsupportive and abusive father and by the subsequent mistakes she made as she grew up. Watching the series, you realize how important it is that children get a supportive and loving start in life and the chance to amount to something. Without that, their lives are often stunted and damaged. Elena's father gave her that chance despite the patriarchal rigidity of their generation, Lila's father did not.
Monday, November 4, 2024
The Spinners--It's a Shame
I saw the movie The Holiday again recently, and one of the main characters had this song as his cell phone ringtone. I grew up with this mu...