The man who captured divine light in his paintings

Thomas Kinkade's paintings capture light in a way that no other paintings manage to do, at least the paintings I have seen up to this point in my life. There is absolutely something divine about that light and the feelings it creates in the viewer. The closest I can come to adequately describing his paintings is that they portray a vision of heaven, a vision that I can relate to--coming home, the feeling of belonging somewhere (inclusive), family, love, warmth, spirituality, inspiration, joy, and pastoral settings that are all about peace. They tap into a universal longing in us all--the longing to be a part of an all-encompassing love as felt in that light, and to feel that peace; they are divinely-inspired. Perhaps the artist felt that longing as well; his personal life was certainly not as peaceful as the life portrayed in his paintings. Regardless of how Kinkade lived his life, he had a God-given talent that he used well to produce some beautiful paintings. He did not hide 'his light under a bushel basket'. His critics have accused him of being overly-sentimental, among other things, but I don't agree with them. I don't find his paintings sentimental, I find them to be spiritually-influenced visualizations of how life could be, and perhaps that is what the artist both longed for and wished to impart.

Berlin's East Side Gallery

I mentioned in my last post that I would be posting some photos of Berlin's East Side Gallery, which is a 1.3 km long section of the Berlin Wall that consists of 105 paintings by artists from all over the world. All of the paintings are unique and beautiful in their own way, so the fact that I have chosen ten of them in no way suggests that these were the best. But they were ten paintings that have a dramatic flair about them, many of them are colorful, and they get their message across very clearly. 

If you are in Berlin, visit this wonderful outdoor gallery. As I wrote previously, it has to be experienced in person in order to get the full effect of the immensity of what the wall represented and what the fall of the wall opened up. I normally copyright my photos, but have not done so this time, as these paintings are not mine. They belong to the world, and it was a privilege to experience them.