Showing posts with label vampires. Show all posts
Showing posts with label vampires. Show all posts

Wednesday, January 11, 2023

Victorian Vampire Stories

It's rare to come across a collection of short stories that is so engaging as the collection I am reading now. Of course one must be an aficionado of vampire and horror stories to truly appreciate them, and I am. The only other collection of short stories in the horror genre that I feel the same way about was the one I read back in 2020--H.P. Lovecraft's horror stories. They were individual masterpieces for the most part and I wrote a post at that time about his stories and how much I enjoyed them: A New Yorker in Oslo: The creepy and engrossing stories of H.P. Lovecraft (paulamdeangelis.blogspot.com)

The collection of vampire stories I am currently reading is entitled Dracula's Guest: A Connoisseur's Collection of Victorian Vampire Stories, edited by Michael Sims (available on Amazon at Dracula's Guest (Connoisseur's Collections): Sims, Michael: 9781408809969: Amazon.com: Books ). The Victorian Era extended from 1837 to 1901 and was an era filled with social change and political reforms, despite being described as a repressive era, especially sexually. The stories in this collection were written/published during this time. You might think that the Victorians, being the straight-laced repressed people they are often described as, would not be writing (or reading) these types of stories. You'd be wrong. The writing styles are at times verbose and overly-descriptive, but the plots are engrossing, strange, and often creepy. There are stories about entire families that become vampires (The Family of the Vourdalak--quite scary if you can visualize it as an eventual movie, as I could), one about an invisible vampire (What Was It?), one about a very old woman whose younger companion, a male doctor, supplies her with young blood to keep her alive (Good Lady Ducayne), and one about a man who remarries after his first wife dies but who wishes that his first wife could live again (Wake Not the Dead). There are many others that are similarly strange and engrossing, so I recommend buying the book to read them all.  

I found reading the short descriptions about the authors almost as interesting as the stories themselves. Leo Tolstoy's brother, Aleksei, wrote The Family of the Vourdalak; he was a talented writer in his own right. Good Lady Ducayne was written by Mary Elizabeth Braddon, considered to be a premier sensation novelist (one who wrote nerve-wracking and thrilling, sometimes titillating novels). Other stories were written by the romantic poet Lord Byron, and Anne Crawford (who came from a family of artists and writers). These writers may not have described everything in explicit detail, but there was no need to. Readers understand what is said and what is implied, and that is sufficient. These writers were in no way repressed; far from it. 


Saturday, January 28, 2012

Creatures of the night


Up late the other night—of course I regretted it the following day, but the reason I stayed up late was to watch the vampire film The Hunger from 1983 (http://www.imdb.com/title/tt0085701/) on TCM. I can never really pass up an opportunity to watch yet another stylishly-made horror film, and TCM is a great channel to find all those kinds of classic films, horror or otherwise. I won’t say I was enthralled by the film, but it didn’t disappoint either—it had its moments. It is definitely a film from the 1980s—I read somewhere that a critic had said it was like watching a long MTV video—chic and stylish with cool music, but without much substance—that was the gist of it. The Madonna song Vogue came to mind when I was watching it. The actors and actresses (David Bowie, Catherine Deneuve, and Susan Sarandon) did a lot of posing for the camera, but that was the way things were done then. The film was about modern-day vampires in an urban setting, who frequented New York City nightclubs looking for potential victims. These vampires were unlike most of the vampires we’ve come to know about--they could tolerate the light of day, they murdered their victims with small knives shaped like Egyptian ankhs, and they could see their reflections in mirrors. The story had to do with David Bowie’s vampire John trying to find a cure for his rapid aging that had suddenly set in and that would doom him to eternal life without his vampire lover Miriam (Catherine Deneuve) who had made him a vampire in the first place. The film was probably controversial when it came out due to some graphic scenes of violence and sexual (lesbian) activity. I don’t recall much talk about this film from that time, nor do I remember that it opened in many theaters (according to IMDB it opened in 775 theaters nationwide in the USA, approximately 15 per state if it opened in all of them—that’s not many). Perhaps it was considered an ‘art film’, in which case it would have opened at one or two theaters in Westchester County where I grew up.   

I’ve seen many vampire films in my lifetime—starting with the House of Dark Shadows from 1970 directed by Dan Curtis, with Jonathan Frid as the vampire Barnabas Collins (http://www.imdb.com/title/tt0065856/), followed by Scars of Dracula and The Satanic Rites of Dracula (among several others) from 1970 and 1973 respectively (http://www.imdb.com/title/tt0067713/; http://www.imdb.com/title/tt0070634/) with Christopher Lee as the vampire (he made many Dracula films). These were followed by the original Nosferatu film from 1922 directed by FW Murnau with Max Schreck as a very scary Nosferatu (http://www.imdb.com/title/tt0013442/), as well as Nosferatu the Vampyre from 1979 directed by Werner Herzog, with Klaus Kinski as Nosferatu (http://www.imdb.com/title/tt0079641/). I remember the New York Times review of the latter film talking about the furor in the Netherlands (where the film was partially shot) over Herzog’s wanting to release tens of thousands of rats for one of the scenes in the film.  Talk about the quest for realism on the part of a director.  

The classic Dracula from 1931, directed by Tod Browning, with Bela Lugosi (http://www.imdb.com/title/tt0021814/), and Dracula from 1979, directed by John Badham, with Frank Langella http://www.imdb.com/title/tt0079073/, are very good films, as is Interview with the Vampire from 1994, directed by Neil Jordan, with Tom Cruise as Lestat (http://www.imdb.com/title/tt0110148/). But in my opinion, the best vampire film I’ve ever seen is the 1992 film Bram Stoker’s Dracula directed by Francis Ford Coppola (http://www.imdb.com/title/tt0103874/). I remember watching it for the first time when it came out and being totally drawn in by its mastery and haunting atmosphere. I’ve since seen it several more times, and each time I watch it I admire it more and more as a nearly-perfect Dracula film. Gary Oldman as Dracula was brilliant casting—he did an incredible job, as did Keanu Reeves, Winona Ryder, Anthony Hopkins and all the others. It is the specific scenes in Coppola’s film that are unforgettable and haunting and that make it my favorite vampire movie—when Jonathan Harker (played by Keanu Reeves) arrives at Dracula’s castle and the shadow of the vampire precedes his entrance, Dracula crawling down the walls of the castle on one of his nightly outings, the appearance of the female vampires in the castle and their seduction of Jonathan, Dracula’s meeting with Mina, and so many more.

Besides Gary Oldman’s Dracula, I have to say that Jonathan Frid’s Barnabas Collins is my vampire of choice. I’m not a fan of the Twilight vampire movies; I saw the first film after reading the book and it was not for me, but I understand that many people do like it. I might have liked the series as a pre-teenager, but somehow I have the feeling that my entrance into the world of vampires was forever shaped by Dark Shadows. However campy the series might have been at times, it took itself seriously and has amassed a large number of fans through the years. I’m looking forward to Tim Burton’s version of Dark Shadows and Johnny Depp’s portrayal of Barnabas, but I doubt that anyone could ever surpass Jonathan Frid’s portrayal of Barnabas Collins.

Tuesday, October 18, 2011

In the spirit of Halloween

During the weekend I happened to be up late and decided to see what was on television. I stumbled across the new horror series that has been racking up rave reviews in the USA—The Walking Dead. The first season is being shown late at night here in Norway on the cable station Fox Crime; I understand that six episodes comprise the first season, and that the second season premiered in the USA last night. I have only managed to see two episodes of the first season so far, but what I’ve seen is fairly convincing. This is a cut above your average horror series. The zombies are very realistic and the entire show has such a realistic feel to it that you could almost imagine such a thing happening—a virus wiping out huge segments of the population and then the dead coming back to life as flesh-eating zombies. The episode I watched last night was the final one of the first season—when the CDC in Atlanta self-destructs after the generators lose power due to lack of fuel, taking the one scientist who decides to stay and end his life there with it. But before it is destroyed, this scientist shows the group of survivors who travel together the 3-D brain scans of his wife before she died of the virus, and how the virus spread through her brain, killing her. It was interesting to see the ‘live’ brain scans—the neural circuits in the brain flashing and then the virus spreading through the brain, causing the circuits to stop firing. Then, after some hours, some light started to glow in his dead wife’s brain stem, but nowhere else in the brain, allowing her to rise again as a zombie, at which point he shot her through the brain. I have to ask myself—why at my age do I still enjoy being scared by this type of show? Why do I still watch this type of horror? I find myself being scared in the same way as I was when I was a teenager. I know none of it is real, that it probably could never happen quite in this way, although an apocalypse of some sort could of course occur. That was more than realistically portrayed in Corman McCarthy’s book The Road, which I found to be quite a harrowing read. For that reason, I did not watch the film based on the book and which starred Viggo Mortensen, mostly because it all seemed so hopeless and dark beyond words. Perhaps the difference between it and The Walking Dead is that there seems to be some hope in the latter, if only in that the survivors can in fact take out the zombies, who are slow-moving and easy to kill. But they are ugly and scary-looking and the show is definitely not for children or the faint-hearted. I found myself thinking of I Am Legend with Will Smith and The Omega Man with Charlton Heston as well, also films where viruses led to scenarios quite similar to those in The Walking Dead—survivors battling virus-infected monsters and vampires respectively. Both of these films are based on the Richard Matheson novel I Am Legend, which is excellent.

Zombie and vampire movies continue to fascinate us, as is evidenced by how well most of them do at the box office. They scare us—and we seem to like being scared. Monsters scare us, the monsters of our childhood, the ones hiding in the closet or under the bed. The dark scares us, and it seems to be an instinctive response—we cannot see in the dark and that by itself leads to fear, because we are vulnerable in the dark. I remember that feeling as a child. What lies behind the door? What is in the closet? What is under my bed if I look down or if my foot sticks out from under the covers? What will get me if I am not protected? What if I look out the window and a monster stares back at me from the darkness? That is why the scenes of the monsters overrunning New York City in I Am Legend were terrifying. They were strong, vicious predators and nothing seemed to stop them. They hid indoors by day and came out at night. Imagine a society where that was the case—howling screeching monsters running amok in the night. 28 Days Later was another such film that created the same feelings; especially the one scene in the tunnel where the car with uninfected survivors won’t start and you can hear the infected mob bearing down upon them. Will they escape, and what happens if they don’t? We know the answer but we watch anyway to make sure they get away. Because some of them have to escape the horrible fate that awaits them—some of them have to live. We have to know that it is possible to survive, otherwise what is the point of watching?  

Halloween is soon upon us. Each year the USA (and now many European countries ironically enough) celebrates this strange holiday—a combination of pagan and Christian influences. Halloween is not originally an American holiday. The idea of Halloween with masks and costumes is in fact quite ancient, originating with the Celtic festival of Samhain, which marked the end of summer (information culled from different websites). The Celts (who were spread out over much of Western Europe) believed that demons and ghosts of the dead returned to earth during harvest time (before the winter months) due to the fact that the gates between life and death were more ‘open’ at this time of year. These other-world visitors were dangerous because they could cause trouble with the harvest and food stores for the winter months, so it was necessary to appease them. The Celts thus wore costumes and masks during Samhain to ward off demons and ghosts, sacrificed animals and burned crops to their gods in bonfires built by their priests (the Druids) who could control the supernatural energy present at this time of year. We thus have Halloween in our blood, so to speak. Despite the Christian influences that eventually overtook Halloween, the original pagan celebration is a part of our heritage. The fear of the supernatural world, of demons, ghosts, vampires and monsters, is as old as time. Fire could protect, darkness was danger. We would prefer not to be visited by ghosts and demons; we would do what we could to prevent that. In our ‘civilized’ age, we don’t believe that ghosts, demons, vampires and monsters walk the earth, but the superstitious part of us is tenacious and not easy to get rid of no matter how ‘civilized’ we are. Perhaps that is one explanation for our fascination with the darkness, with the unknown, with monsters. As much as we like to pretend that we don’t get scared, the reality is something else again.


The Spinners--It's a Shame

I saw the movie The Holiday again recently, and one of the main characters had this song as his cell phone ringtone. I grew up with this mu...