I watched the film Jackie Brown again last night. I don't know how many times I've seen it, but it's one of those films worth seeing again, just to appreciate the acting (all of the actors and actresses are superb in their roles) and to fill in the small plot gaps that one may have missed the previous times. It also has a great soundtrack; I love listening to the songs--many are from my growing-up and young adult years. If you want to just get away for a few hours and enjoy watching (and listening) to a film, I recommend Jackie Brown. It came out in 1997, but I don't remember seeing it for the first time then. I think I may have avoided it because Quentin Tarantino was the director, and his films are so eclectic and violent that I was unsure how this film would be. It is violent, but not any more so than many other films in this genre. I've seen worse violence, to put it that way.
Pam Grier is stewardess Jackie Brown--cool, composed, smart and calculating. I can't see anyone else playing this role; she is just so good in it. Jackie Brown is no fool, and has no qualms about setting up illegal weapons dealer Ordell Robbie (played by Samuel L. Jackson) in order to get him out of the way and to keep his money while playing the FBI as well. After all, Ordell doesn't care whether she goes to prison for smuggling his money into the USA from Mexico, it's about survival of the fittest. Ordell is also smart, but not as smart as Jackie. Robert Forster is also so good as Max Cherry, the bail bondsman who falls in love with Jackie Brown at first sight and decides to help her. His basic decency prevents him from taking any of the money she will possibly end up stealing, except for the regular fee he charges all those who request his services.
Quentin Tarantino apparently revived the careers of both Pam Grier and Robert Forster by choosing them to be in this film. He had good instincts in choosing them, because they are excellent actors and perfect for their roles. Samuel L. Jackson is also quite good, Robert De Niro, Michael Keaton, and Bridget Fonda likewise. A very good movie ensemble.
As I mentioned, the soundtrack is also a big part of the movie, with the following songs:
- "Across 110th Street" by Bobby Womack and Peace
- "Strawberry Letter 23" by The Brothers Johnson
- "Who Is He (And What Is He to You)?" by Bill Withers
- "Tennessee Stud" by Johnny Cash
- "Natural High" by Bloodstone
- "Long Time Woman" by Pam Grier
- "(Holy Matrimony) Letter to the Firm" by Foxy Brown
- "Street Life" performed by Randy Crawford
- "Didn't I (Blow Your Mind This Time)" by The Delfonics
- "Midnight Confessions" by The Grass Roots
- "Inside My Love" by Minnie Riperton
- "The Lions and the Cucumber" by The Vampire Sound Incorporation
- "Monte Carlo Nights" by Elliot Easton's Tiki Gods
My favorites are Across 110th Street, Strawberry Letter 23, Street Life, and Inside My Love. After I watched the film, I downloaded the soundtrack to the movie from iTunes. And that got me started on 1970s soul songs; I went searching for some of my favorites, and downloaded them too. Isaac Haye's Theme from Shaft, Betcha by Golly Wow by The Stylistics, Whatcha See is Whatcha Get by The Dramatics, Rock Your Baby by George McCrae, and Back Stabbers by The O'Jays. Listening to these songs is a total trip down memory lane, and a very pleasant one.
