Showing posts with label Madonna. Show all posts
Showing posts with label Madonna. Show all posts

Thursday, January 17, 2013

Favorite songs from the 1980s

Rambling down music memory lane today. This time in the form of my favorite music from the 1980s. I have to admit that the 1980s was an odd time music-wise—disco, urban, pop, rock, jazz—each genre got airplay on the New York radio stations, if memory serves me right. So many great songs…..

Anyway, here are some favorites from that time; check out the many videos on YouTube if you want to hear them. I’ve tried posting video links before but they disappear pretty fast from YouTube and end up as dead links on my posts. I’ll be updating the list from time to time as I remember more songs, listen to them once again, and am thrown back to that time--where I was, what I was doing, and who I was with when those songs made such a lasting impression on me.

·         Street Life -- The Crusaders (released in 1979 but got a lot of airplay in 1980)
·         Off the Wall – Michael Jackson (1980)
·         Don’t Stand So Close To Me, Driven to Tears, When the World is Running Down You Make the Best  of What’s Still Around – The Police (1980)
·         Give Me The Night – George Benson (1980)
·         Are You Going With Me, The Bat – Pat Metheny (1981)
·         More Than This, Avalon -- Roxy Music (1982)
·         Stepping Out -- Joe Jackson (1982)
·         Thriller, Beat It, Human Nature, Want To Be Starting Something – Michael Jackson (1982)
·         Physical Attraction – Madonna (1983)
·         Burning Down the House – Talking Heads (1983)
·         One Thing Leads to Another, Saved by Zero – The Fixx (1983)
·         White Lines (Don't Don't Do It) – Grandmaster Melle Mel (1983)
·         Heartbeat City, Magic, Drive, Why Can’t I Have You -- The Cars (1984)
·         When Doves Cry, Let’s Go Crazy – Prince (1984)
·         Dance Hall Days, Don’t Let Go – Wang Chung (1984)
·         West End Girls – Pet Shop Boys (1984)
·         Jump – Van Halen (1984)
·         Vidro e Corte (Glass and Cut) – Milton Nascimento & Pat Metheny (1985)
·         In My House – Mary Jane Girls (1985)
·         Don’t You Forget About Me – Simple Minds (1985)
·         Live To Tell – Madonna (1986)
·         Everybody Have Fun Tonight – Wang Chung (1986)
·         Dancing on the Ceiling – Lionel Richie (1986)
·         Word Up, Candy – Cameo (1986)
·         Tunnel of Love – Bruce Springsteen (1987)
·         Last Train Home – Pat Metheny (1987)
·         Chicago Song – David Sanborne (1987)
·         So Emotional – Whitney Houston (1987)
·         Sign o’ the Times – Prince (1987)
·         In God’s Country, Where the Streets Have No Name – U2 (1987)
·         What I Am – Edie Brickell and New Bohemians (1988)
·         Buffalo Stance – Ninah Cherry (1988)
·         Free Fallin’ – Tom Petty (1989)
·         Back to Life (However Do You Want Me), Keep on Moving -- Soul II Soul (1989)

Sunday, October 14, 2012

Random thoughts on writing, street art and 'Living in the Material World'

A very busy week at work, which did not leave me much time for writing of any sort. I have mixed feelings about these kinds of weeks. On the one hand, it’s good to be busy at work. On the other hand, time passes and each day that ticks by is one less day to write and to pursue those small personal dreams. I guess others have the same problem—being torn between personal dreams that have less to do with career ambitions and more to do with personal fulfillment, and workplace ambitions and goals that are held up as meaningful by the workplace. I am always trying to find time to write. It has become my soul’s desire, nothing more, nothing less.

Tired in the evenings, so that doesn’t always bode well for writing, either for its quality or its quantity. In other words, I don’t get many words on a page before my eyes start to close and I feel sleepy. Twenty-five years ago, I could pack another life into my evenings, and I did. I worked sixty to seventy hour weeks then, and sometimes on the weekends. Sometimes I took courses at night—accounting, Italian, business courses, or sometimes I attended evening seminars having to do with investing. It’s been a while since I’ve taken a course. I’m more into learning how to do things myself these days, and less interested in traditional ways of learning. I suppose that has to do with how the brain changes and learns as one grows older. I like that aspect of growing older. Everything feels more fluid and less rigid. There is not one right way to do things anymore, like we were ‘taught’ when we were young.

Inspiration comes from films—I watched ‘Exit Through the Gift Shop’,  a documentary film from 2010 about street art as viewed through the eyes of Thierry Guetta, a would-be filmmaker, who followed street artists around the world for years as they pursued their art. One of those artists was Banksy, who ended up using Guetta’s video footage to make this film, because the film that Guetta first made was (presumably) a chaotic mess. Hard to know for sure how tongue-in-cheek this movie really is—is it a hoax film or is it for real? Thierry Guetta followed these street artists and ended up besting them at their own game—setting up a big ‘street art’ show happening in Los Angeles as MBW (Mr. Brainwash) and making millions. By the end of the film, Madonna has hired him to do the artwork for her latest album cover. The question then becomes, who was the brainwasher and who was being brainwashed? Are we being hoodwinked, or is this film for real? The film is well-worth watching, as it is a good introduction to the lives of currently-popular street artists from around the world.

Apropos Madonna (“…You know that we are living in a material world, And I am a material girl”), another good documentary film I watched this past week was from 2011—‘George Harrison: Living in the Material World’ (director Martin Scorsese). Scorsese did a great job with this film; we get a real introduction to the spiritual Beatle, and to his spiritual journey as well as to his progression and evolution as an artist. We also get a real sense of the conflict that pervaded most of his life—how to remain spiritual in a material world. Harrison was truly an amazing artist—creative, spiritual, persistent, focused, dedicated. All of this came through in the film. Mostly when you think of the Beatles, you think of Paul McCartney and John Lennon. This film shows you why George Harrison was an artistic force to be reckoned with. He was way ahead of his time in terms of collaborating musically with ‘foreign’ artists—Ravi Shankar and other Indian musicians--as well as organizing the first charity concert for Bangladesh in 1971. But mostly, I was impressed with his spiritual journey. Here was a man who thought it was important to prepare for death, for the time when he would leave his body for another world. He never denigrated or poked fun at the world of the spirit. And he was a pretty good example of practicing what he preached, with the possible exception of the few periods in his life when he dishonored his body through excessive drug use. I like films about artists of all kinds; I like watching the creative process at work—how artists think, act, work, live in a family, relax—all those things.

Loneliness and longing

At Christmas mass last night, the priest gave a short sermon about God's longing for us. He meant that God did not want to be alone, he ...