Showing posts with label Peter Weir. Show all posts
Showing posts with label Peter Weir. Show all posts

Tuesday, January 12, 2021

Picnic at Hanging Rock--the movie and the series

Picnic at Hanging Rock--the movie--came out in 1975 and was lauded as a great film. Indeed, its director, Peter Weir, of The Last Wave fame, went on to make some hugely popular movies, among them Witness, Master and Commander, Green Card, and The Truman Show. The Last Wave, with Richard Chamberlain, is a masterpiece of a film about a lawyer defending several Aboriginal men accused of murder, who falls under the spell of the Aboriginal culture; he begins to have premonitions about a last wave, which may or may not be a huge tidal wave or a tsunami. The film was released in 1977, two years after Picnic at Hanging Rock, which I never saw until recently. I watched it after I had seen the BBC television series of the same name (now available on the streaming channel Cirkus here in Norway). Although most reviewers and viewers preferred the film, I preferred the television series. 

I have not read the novel by Joan Lindsay on which both the film and series are based, but I plan on doing so. That said, I found the series to be quite good, and I liked it better than the film version, probably because it was longer and viewers could get better insights into the characters and what made them tick. Additionally, I had read movie reviews that kept mentioning how eerie the film was; I thought the series was far more so. It really got under my skin. I do agree with the naysayers that the series could probably have been shortened to four episodes instead of six, but regardless, it held my interest throughout.

I liked that series viewers learned a lot about the main characters--where they came from, their backstories. The series got the chance to really flesh out the characters. They took liberties with the actual story, I am sure of that. But it worked. I liked the dreamy atmosphere that hovered between the natural and the supernatural, I liked the flirtation with subtle horror and madness. Was satanism or witchcraft involved in the disappearance at Hanging Rock of four women from a Victorian era girl's school? Were there evil spirits there, or spirits protecting the rock against trespassers? Was there a time warp into which they slipped, never to return? Why did watches stop in the vicinity of the rock? Were they murdered by local men in the area, or did they commit suicide? Their bodies were never found. One of the women does return, but unfortunately, she cannot remember anything that happened, and that by itself unnerves most of the townspeople as well as the school staff. A run of bad luck ensues, and the wealthy parents whose daughters go to the school begin to withdraw them, one by one, which leads to a crisis for (and eventual suicide of) the headmistress Mrs. Appleyard (played by an excellent Natalie Dormer). 

There are many theories as to what could have happened to the girls. The film and the series tantalize us with possible answers, but never really make clear what actually did happen to them. Apparently that was the ending in Lindsay's book as well, although she purportedly wrote a a rather bizarre ending that never made it into the published book. The ending of the film and series give viewers some ideas of what probably happened to the missing girls, but it remains up to the viewers to intuit how large a role the atmosphere at the rock and legends surrounding the rock played. The series moved slowly in terms of building up to the reality of the horror that occurred; a creeping sense of creepiness as it were. I do not agree with the critics of the series that the focus was not on the picnic. It was, in every episode: it is the backdrop in every episode. The fact that the girls went missing affected just about everyone at the school, and each episode revealed that in one way or another. Bad fortune found a number of them. The music was a good accompaniment to the goings-on--eerie at times, dreamy at other times. 

I suggest watching the 1975 film first, and then the television series. The acting in both is very good, but I prefer the acting and cinematography of the television series, as well as the ever-present intense atmosphere of foreboding in the series, even in daylight. I did not get that same feeling from the movie.  


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