- 2001: A Space Odyssey (1968) with Keir Dullea, Gary Lockwood, William Sylvester
- 40 Carats (1973) with Liv Ullmann, Edward Albert, Gene Kelly, Binnie Barnes
- Adam’s Rib (1949) with Spencer Tracy, Katharine Hepburn, Judy Holliday
- Agatha (1979) with Dustin Hoffman, Vanessa Redgrave, Timothy Dalton, Helen Morse
- Alien (1979) with Sigourney Weaver, Tom Skerritt, John Hurt
- All That Heaven Allows (1955) with Jane Wyman, Rock Hudson, Agnes Moorehead, Conrad Nagel
- All the Fine Young Cannibals (1960) with Robert Wagner, Natalie Wood, Susan Kohner, George Hamilton
- Arsenic and Old Lace (1944) with Cary Grant, Priscilla Lane, Raymond Massey
- Barefoot in the Park (1967) with Robert Redford, Jane Fonda, Charles Boyer, Mildred Natwick
- Brigadoon (1953) with Gene Kelly, Van Johnson, Cyd Charisse, Elaine Stewart
- Burnt Offerings (1976) with Karen Black, Oliver Reed, Burgess Meredith and Eileen Heckart
- BUtterfield 8 (1960) with Elizabeth Taylor, Laurence Harvey, Eddie Fisher, Dina Merrill
- De Dødes Tjern (1958) with Andre Bjerke, Bjørg Engh, Henki Kolstad
- Dial M for Murder (1954) with Ray Milland, Grace Kelly, Robert Cummings
- Don’t Be Afraid of the Dark (1973, TV) with Kim Darby, Jim Hutton, Barbara Anderson, William Demarest
- Don’t Look Now (1973) with Donald Sutherland and Julie Christie
- Dr. Jekyll and Mr. Hyde (1941) with Spencer Tracy, Ingrid Bergman, Lana Turner
- Fantasia (1940)
- House of Dark Shadows (1970) with Jonathan Frid, Grayson Hall, Kathryn Leigh Scott, Roger Davis
- House of Wax (1953) with Vincent Price, Frank Lovejoy, Phyllis Kirk
- I Am a Fugitive from a Chain Gang (1932) with Paul Muni, Glenda Farrell, Helen Vinson, Noel Francis
- It’s a Wonderful Life (1946) with James Stewart, Donna Reed, Lionel Barrymore
- Klute (1971) with Jane Fonda, Donald Sutherland, Charles Cioffi, Roy Scheider
- Light in the Piazza (1962) with Olivia de Havilland, George Hamilton, Yvette Mimieux
- Marlowe (1969) with James Garner, Gayle Hunnicutt, Carroll O'Connor, Rita Moreno
- Midnight Cowboy (1969) with Dustin Hoffman, Jon Voight, Sylvia Miles, John McGiver
- Mon Oncle (1958) with Jacques Tati, Jean-Pierre Zola, Adrienne Servantie, Lucien Frégis
- Oliver! (1968) with Mark Lester, Ron Moody, Shani Wallis, Oliver Reed
- Psycho (1960) with Anthony Perkins, Janet Leigh, Vera Miles
- Rebecca (1940) with Laurence Olivier, Joan Fontaine, George Sanders
- Romeo and Juliet (1968) with Leonard Whiting, Olivia Hussey, John McEnery
- Rosemary’s Baby (1968) with Mia Farrow, John Cassavetes, Ruth Gordon
- Splendor in the Grass (1961) with Natalie Wood, Warren Beatty, Pat Hingle
- Straight Time (1978) with Dustin Hoffman and Theresa Russell
- Sunday in New York (1963) with Rod Taylor, Jane Fonda, Cliff Robertson, Robert Culp
- The Barretts of Wimpole Street (1957) with Jennifer Jones, John Gielgud, Bill Travers, Virginia McKenna
- The African Queen (1951) with Humphrey Bogart, Katharine Hepburn, Robert Morley
- The Apartment (1960) with Jack Lemmon, Shirley MacLaine, Fred MacMurray
- The Paradine Case (1947) with Gregory Peck, Ann Todd, Charles Laughton, Charles Coburn
- The Pearl of Death (1944) with Basil Rathbone, Nigel Bruce, Dennis Hoey
- The Sentinel (1977) with Cristina Raines, Ava Gardner, Chris Sarandon, Martin Balsam
- The Split (1968) with Jim Brown, Diahann Carroll, Ernest Borgnine, Julie Harris
- The Two Mrs. Carrolls (1947) with Humphrey Bogart, Barbara Stanwyck, Alexis Smith
- The Uninvited (1944) with Ray Milland, Ruth Hussey, Donald Crisp, Cornelia Otis Skinner
- Westworld (1973) with Yul Brynner, Richard Benjamin, James Brolin, Norman Bartold
Saturday, March 22, 2014
Favorite movies from the 1930s - 1970s
Sunday, March 16, 2014
Street Art in Oslo III
Out walking yesterday in the nice weather, as were many others. We came upon some newer street art (at least I haven't seen it before on my walks around Oslo) and snapped some photos. There were a lot of other hobby photographers doing the same. A lot of artistic talent out there......Enjoy today's photos, and my earlier posts about street art in Oslo: http://paulamdeangelis.blogspot.no/2012/10/street-art-in-oslo.html and http://paulamdeangelis.blogspot.no/2013/06/more-street-art-in-oslo.html
Sunday, March 9, 2014
Another great poem
Invictus
by William Ernest Henley
Out of the
night that covers me,
Black as the Pit from pole to pole,
I thank whatever gods may be
For my unconquerable soul.
In the fell clutch of circumstance
I have not winced nor cried aloud.
Under the bludgeonings of chance
My head is bloody, but unbowed.
Beyond this place of wrath and tears
Looms but the Horror of the shade,
And yet the menace of the years
Finds, and shall find, me unafraid.
It matters not how strait the gate,
How charged with punishments the scroll.
I am the master of my fate:
I am the captain of my soul.
Black as the Pit from pole to pole,
I thank whatever gods may be
For my unconquerable soul.
In the fell clutch of circumstance
I have not winced nor cried aloud.
Under the bludgeonings of chance
My head is bloody, but unbowed.
Beyond this place of wrath and tears
Looms but the Horror of the shade,
And yet the menace of the years
Finds, and shall find, me unafraid.
It matters not how strait the gate,
How charged with punishments the scroll.
I am the master of my fate:
I am the captain of my soul.
Friday, March 7, 2014
A great poem by Charles Bukowski
air and light and time and space
”– you
know, I’ve either had a family, a job,
something has always been in the
way
but now
I’ve sold my house, I’ve found this
place, a large studio, you should see the space and
the light.
for the first time in my life I’m going to have
a place and the time to
create.”
something has always been in the
way
but now
I’ve sold my house, I’ve found this
place, a large studio, you should see the space and
the light.
for the first time in my life I’m going to have
a place and the time to
create.”
no baby, if
you’re going to create
you’re going to create whether you work
16 hours a day in a coal mine
or
you’re going to create in a small room with 3 children
while you’re on
welfare,
you’re going to create with part of your mind and your body blown
away,
you’re going to create blind
crippled
demented,
you’re going to create with a cat crawling up your
back while
the whole city trembles in earthquake, bombardment,
flood and fire.
you’re going to create whether you work
16 hours a day in a coal mine
or
you’re going to create in a small room with 3 children
while you’re on
welfare,
you’re going to create with part of your mind and your body blown
away,
you’re going to create blind
crippled
demented,
you’re going to create with a cat crawling up your
back while
the whole city trembles in earthquake, bombardment,
flood and fire.
baby, air
and light and time and space
have nothing to do with it
and don’t create anything
except maybe a longer life to find
new excuses
for.
have nothing to do with it
and don’t create anything
except maybe a longer life to find
new excuses
for.
------------------------------------------
What a
great poem, and it came along just at the right time for me. I've been feeling
'stuck'--as though I've been sitting in creative prison, waiting for the jailor
(most likely myself) to come free me so that I can write, take photos and work
on book projects again. I forgot that most of my creative work has in fact been
done while I have been 'stuck' doing other things, like working full-time at
another kind of job. So thank you Mr. Bukowski for your inspiring words--they
got me out of my funk and back to work..........
Started watching Sleepy Hollow, still watching TWD
Started
watching the show Sleepy Hollow at
the beginning of January; we’re some months behind the USA where I know the
season finale already took place in December. I love the show; it works for me,
thanks to the superb acting of Tom Mison as Ichabod Crane, Nicole Beharie as
Abbie Mills and Orlando Jones as Frank Irving. I grew up in Tarrytown NY, the
sister town to Sleepy Hollow (which was formerly called North Tarrytown); The Legend of Sleepy Hollow written by
Washington Irving was required reading in high school. Most inhabitants of both
towns are familiar with the story of the Headless Horseman and Ichabod Crane.
The TV show bears little resemblance to the original story, but it’s a
cleverly-written supernatural show that works. Tonight’s episode, Sanctuary, was especially good; we now
know that Katrina, Ichabod’s wife, gave birth to a son in a house that was a
sanctuary for former slaves as well as a haven against supernatural evil
forces. The baby’s birth breaks the protective spell surrounding the house and
the evil forces invade the house. It is implied that many of the inhabitants
were killed. In the present time it is an abandoned haunted house—haunted by
good and evil ghosts, and ‘guarded’ by the ‘tree monster’ that was sent by the
demon Moloch to destroy the original inhabitants of the house. The tree monster
is awakened to life when a descendant of the original family who owned the
house overtakes it and decides to renovate it and live there. Every now and
then when I watch this show, I am (briefly) reminded of The X-Files, another favorite show of mine, because the wonderful
chemistry between the two main characters Ichabod and Abbie in Sleepy Hollow reminds me of the
chemistry between The X-Files’ Dana Scully
(played by Gillian Anderson) and Fox Mulder (played by David Duchovny).
Still
watching The Walking Dead (and it
still gets under my skin—as in, it’s still pretty creepy after four seasons
in). It’s not so much that I’ve grown attached to any particular character; it
wouldn’t make much sense to do that, given that the show is not averse to
killing off major as well as minor characters. Again, the actors (thanks to the
writers) do a very credible job of showing us what it might be like to live in
an apocalyptic world peopled by zombies. But the show also realistically
depicts what it might be like to have to deal with other survivors who might
not be the nicest people (the Governor and his lackeys). It is one of those rare
shows where the group dynamics provide much of the reason for my watching it. I
like the interplay between the characters, their different strengths and weaknesses,
the way they depend on each other, and the way they face their fears, as well
as watching them deal with the ‘walkers’, because that’s what the show is
really about—dealing with the living dead that are always lurking about. It’s
not so much the shuffling and the way they move and look that are unnerving,
but rather the way they sound—you can hear them coming (growling) long before
they actually appear. I suppose in one way this should be advantageous, as it
gives the characters time to get away or to prepare for confrontation. On the
other hand……..
Thursday, February 27, 2014
Letting go and finding peace
Ego says,
"Once everything falls into place, I'll feel peace." Spirit says,
"Find your peace, and then everything will fall into place."
(Marianne Williamson)
I came
across this quote the other day, and it resonated with me, especially now after
many years of struggling to make work-related issues fall into place. Sometimes
they did, other times I hit the wall or fumbled the ball and had to come up
with new strategies. I kept thinking that once work issues were solved, I’d be
in a better place psychologically and then I could find peace of mind. I discovered that it didn’t work that way for me. Things didn't 'fall into place' (work out as I wanted) no matter how hard I tried to make them do so, and I had to learn a new way of being. Additionally, the idea that we can make things fall into place by exerting control over situations or people is an illusion
that is sold to us as sound advice over and over, in advice columns, self-help
books, via well-meaning colleagues and friends. We're often told that 'we choose our lives or the situations that happen to us'. That may be true at times, but it is not an absolute. People want the best for us--I
do believe that, at least the people who care about us. They mean well. But their
words cannot guarantee a desired outcome any more than can our attempts to control
that desired outcome. Things in life don’t
always fall into place; we can't mold life to suit our desires. We don’t always get what we want, when we want
it or how we want it, but we have to live
our lives anyway, dealing with the jumble of stressful feelings that the struggle
for control and order create in us.
Although we can hope that things will fall into
place, we cannot make them fall
into place. I think another way of saying this is ‘let go and let God’. In all
instances, the realization that we can have peace of mind without striving for full
control and order, is freeing and peaceful in and of itself. During the past
few years, I have rediscovered the joys of just being—something I was more in
tune with when I was a teenager--not always having something to do or
somewhere to be. When I am out walking in nature, I am with nature, looking and listening to the birds, watching the
clouds go by, enjoying the warm sunshine in the midst of winter. I don’t want
to be connected to social media; I don’t even need conversation sometimes. I
just want to be. I think that is
peace of soul and mind. When I find myself wondering or worrying about how situations are going to
turn out and what my role in them might be, I tell myself to let go and to take
a step back, so that I can view the situation from afar. It helps me maintain
perspective. Perspective helps me maintain objectivity, something that gets
lost when I get too involved in worrying about or trying to force the outcome
of a situation. Perspective gives me peace, and the odd thing is that when I feel
peaceful, I am much less concerned with the outcome of a particular situation,
perhaps because I realize that I do not have complete control over anything. There
is too much to obsess over in modern society, too much to chase, too many
goals, too many material things to distract us and
destroy peace, and too many interruptions. There is too little time for reflection, stillness and solitude. I want peace more now than I want any of the other things. At
this point in my life, peace is worth gold.
Wednesday, February 19, 2014
The books of M. Scott Peck and Rollo May
Years ago,
I discovered the writer and psychiatrist M. Scott Peck, who wrote a book that
helped to change my way of looking at some important aspects of my life. ‘The Road Less Traveled’ (published in
1978) was an eye-opener of a book, one that I have recommended to many people
through the years. The book’s basic tenet is that life is difficult and that personal and spiritual growth is a lifelong process involving hard work, struggle, pain and
introspection. Reading it made me realize at a fairly young age that it was
possible to change your life; that the hand of cards you were dealt was not a
permanent hand. It was possible to rise above personal and family problems and the
inefficient and often stagnant ways of dealing with them. But the key was to be
actively invested in doing so; it was important to understand and accept that the
work involved would be difficult and that there would be no immediate
gratification. Peck is one of the few authors to whom I have written; I was so
enamored of his book. Even though I was disappointed to subsequently learn about
his alcoholism, marital infidelities, and other problems, it made me realize
that he probably wrote the book as much for himself as for his readers. I
wanted him to be a person without faults; there are no such persons, and he
would be the first to admit that. He was not always able to practice what he
preached. I also read Peck’s ‘People of
the Lie: The Hope for Healing Human Evil’, published in 1983. It is a much
more disturbing book since it presented and discussed his patients, albeit
anonymously, who had chosen to live in the darkness of their problems
(pathological lying, cheating, neuroses, anxieties, obsessions, banal evil)
rather than seek the light of truth (facing themselves and their problems and fears),
health and recovery.
Rollo May,
another of my favorite authors, was a psychiatrist who wrote many excellent
books, such as The Meaning of Anxiety, Love and Will, and The
Courage to Create, published in 1950, 1969, and 1975, respectively. My
father introduced me to his writings when I was a teenager. I read The Meaning of Anxiety when I was in my
early twenties, and it was one of those light-switch books—books that have the ability
to push you from darkness into the light. The power of the printed word never
ceases to amaze me. Little wonder that ‘the pen is mightier than the sword’. Words
can change your perspective on things, and in this case, May’s words changed my
perspective on anxiety. Rather than viewing it as a major problem to be eliminated on the path to mental health, his view was that anxiety is necessary for personal growth, and
that it forces us to act, in order to alleviate the anxiety or to help us confront
what it is we are anxious about (what we fear?). Doing so allows us to live
life to the fullest. In Love and Will,
May discusses different types of love and how they should be intertwined. The
ideas of purpose and responsibility related to love are discussed at length. In
The Courage to Create, May writes
about the importance of creativity and art in our lives; this quote from his
book best describes his views, beautifully so:
“If you wish to understand the psychological
and spiritual temper of any historical period, you can do no better than to
look long and searchingly at its art. For in the art the underlying spiritual
meaning of the period is expressed directly in symbols………They (the artists) have the power to reveal the underlying meaning of any period precisely
because the essence of art is the powerful and alive encounter between the
artist and his or her world."
Saturday, February 15, 2014
The Surrealism of Illness
Since the New
Year began, major illness has already reared its ugly head for two people I
know, one a close personal friend who received the diagnosis of multiple
systemic atrophy of the brain, the other a valued colleague and friend who
suffered most of the autumn with a persistent cough and was recently diagnosed with lung
cancer. In both cases, when I heard the news, I was truly shocked. It just
seemed so unreal and so unbelievable that this could be happening to them. When
I finally ‘came to’, I realized that I have to learn how to be strong so that I
can be there for the both of them in the best way I know how. Because their
shock and disbelief, their sorrow and pain, are so much greater than mine; they
have to tackle the surrealism of being given a diagnosis that could mean an
earlier passage from this life compared to the rest of us. I cannot imagine
what that must feel like. I do know what it feels like to witness the journeys
of two friends who were diagnosed with breast cancer a decade ago. One of them received
a diagnosis of breast cancer when she was sitting in her doctor’s office. She
fainted on hearing the news. Luckily her husband was with her and he caught her
as she fell off her chair. She was operated on to remove her tumor, received
chemo and radiation, and is disease-free today. Another friend of mine was not
so lucky; she passed away three years ago from metastatic breast cancer. She
was diagnosed with breast cancer shortly after my other woman friend, underwent
an operation to remove the tumor, but did not start with chemotherapy right
away for reasons that made sense then but no longer now. Just because no cancer
was found in the surrounding lymph nodes is no reason to not undergo chemo. But
doctors have their viewpoints, and they most often prevail.
At times, I
am struck by the surrealism that surrounds illness. It just seems so unreal at
times and impossible to deal with, whereas at other times I am more inured to
the idea of illness. I have a long relationship with illness; my father had his
first heart attack when I was twelve years old, his second when I was twenty-one,
his first stroke when I was in my mid-twenties, and the stroke that took his
life when I was twenty-nine. I remember growing up worrying that my father
could die at any time. I know he worried about the same thing because he told
me that and so many other things on our walks together during summer evenings
when I was a teenager. He had a wife and three children to consider in addition
to the fear that he might die young. He was sixty-seven when he died, and that
is young. When you are a child, you are perhaps somewhat more protected
psychologically than you are when you are older and a loved one gets sick and
dies. When I was twelve, I remember that my father was home on sick leave, that
he watched TV and soap operas with us, and that he read a lot. It was enjoyable
to have him home and available to us. When I was in my twenties, I understood
more of what chronic illness can do to the afflicted person as well as to his
or her family. The stress associated with worrying about a loved one affects
the lives of those around him or her. Love becomes tightly connected with
sorrow and the preparation for loss. Our teenage years were not carefree or
sorrow-free.
I have
learned to live with hopeful optimism and an objective realism where major
illness is concerned. They co-exist within me, side by side, without battling
each other for dominance. I pray for miracles at the same time that I know that
there aren’t many of them. I’m aware of the statistics; I’m a cancer
researcher, I know the odds associated with major illnesses, not just cancer. But I pray anyway for both of my friends. I also
pray for the strength to be a good and supportive friend in the years ahead. It
scares me to think that I won’t know what to do, how to be, or what to say. But
then I remember my father, and how the most important thing was just to love
each other. In the end, it comes down to that. Make the most of the time you
have together. Create good memories. Life is short; for some of us, it is
shorter, but all of us will face the day when we must leave this earth for
good. That’s a thought that is always with me, since I was a child.
Friday, February 14, 2014
A poem for Valentine's Day--How Do I Love Thee--by Elizabeth Barrett Browning
How Do I
Love Thee (Sonnet 43)
How do I
love thee? Let me count the ways.
I love
thee to the depth and breadth and height
My soul
can reach, when feeling out of sight
For the
ends of being and ideal grace.
I love
thee to the level of every day's
Most
quiet need, by sun and candle-light.
I love
thee freely, as men strive for right.
I love
thee purely, as they turn from praise.
I love
thee with the passion put to use
In my
old griefs, and with my childhood's faith.
I love
thee with a love I seemed to lose
With my
lost saints. I love thee with the breath,
Smiles,
tears, of all my life; and, if God choose,
I shall
but love thee better after death.
(by Elizabeth Barrett Browning)
Tuesday, February 11, 2014
Getting to know Wattpad
I’ve
discovered yet another social media community, Wattpad.com, a community of
writers and readers, more specifically, of writers who post their works online
for Wattpad members to read, comment and vote on. It appears to be quite an
active and engaged community, with the support of no less than the
internationally-known Canadian author Margaret Atwood. Wattpad describes its
community thusly in the About Us
section on their website:
Wattpad is the world's largest
community for discovering and sharing stories. It's a new form of entertainment
connecting readers and writers through storytelling, and best of all, it's
entirely free. With thousands of
new stories added every day, an incredibly active community of readers, and the ability to read on your
computer, phone, or tablet, Wattpad is the only place that offers a truly
social, and entirely mobile
reading experience.
I’m
fascinated by this community, and became a member this past weekend; it’s
enticing to think about sharing my writing this way, and I’ve already done so.
I posted two short stories as a way to get started: one entitled An Unusual Offer;
the other entitled Before My Eyes. They will eventually be part of a collection of short stories that I plan on publishing. If you want to read them, you'll have to join the Wattpad community.
I know that I’ve got to work at reading others’ works, following other authors, and commenting and voting on others’ works—in other words, I’ve got to contribute if I want feedback on my own work. So that’s my new adventure these days; I’m writing and taking the chance of posting my short stories and hoping for good feedback and constructive criticism. I’ll keep you posted on how it goes from time to time.
I know that I’ve got to work at reading others’ works, following other authors, and commenting and voting on others’ works—in other words, I’ve got to contribute if I want feedback on my own work. So that’s my new adventure these days; I’m writing and taking the chance of posting my short stories and hoping for good feedback and constructive criticism. I’ll keep you posted on how it goes from time to time.
Top ten posts as of 11 February 2014
These are the most-read posts on A New Yorker in Oslo. It's always interesting to look at the statistics and to see which posts engage readers. Thank you for continuing to follow this blog and for your interesting and inspirational comments through the years. I enjoy interacting with you.
Dec 7, 2011
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Jul 17, 2013
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Sep 2, 2011
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Sep
17, 2010
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Feb 28, 2011
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Jun 1, 2012
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Feb 13, 2011
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Jun 3,
2011
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25, 2010
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2012
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Tuesday, February 4, 2014
Be the Best in Business: What Are the Barriers to Becoming an Effective Leader...
An excellent post from the blog Be the Best in Business--about the barriers to becoming an effective leader; one of those rare posts where what you read is truly educational and inspirational.
Be the Best in Business: What Are the Barriers to Becoming an Effective Lea...: In 2011 Anne Morris, Robin Ely, and Frances Frei highlighted five barriers to becoming a truly effective leader. Read more about them here.
Be the Best in Business: What Are the Barriers to Becoming an Effective Lea...: In 2011 Anne Morris, Robin Ely, and Frances Frei highlighted five barriers to becoming a truly effective leader. Read more about them here.
Wednesday, January 29, 2014
My new poetry collection--Remnants of the Spirit World
My second poetry collection, entitled Remnants of the Spirit World, has recently been published. The woman who did the cover design and formatting for my first collection of poetry (Parables and Voices: http://www.amazon.com/dp/1452838763), did the cover design and formatting for Remnants of the Spirit World. Her name is Paloma Ayala and you can read about her here: http://fotoisphoto.com/about_us.php.
This is the cover for Remnants of the Spirit World; I love it and those people I've shown it to, think it's wonderful. Check out the waterfall for a very clever surprise. The book is available for purchase on Amazon: http://tinyurl.com/owg28su
This is the cover for Remnants of the Spirit World; I love it and those people I've shown it to, think it's wonderful. Check out the waterfall for a very clever surprise. The book is available for purchase on Amazon: http://tinyurl.com/owg28su
Saturday, January 25, 2014
Stuck, unstuck, willingness and unwillingness--what the experts have to say about women and their goals
I listened to
Sheryl Sandberg’s 15-minute TED talk from 2010 today and found it to be a good
talk, albeit a superficial one, from the standpoint of lack of time and the
inability to delve deeper into the subject matter. That is apparently why she
wrote her book Lean In: Women, Work, and
the Will to Lead, to delve deeper into the problem of women lacking the
will to lead. I haven’t yet read it, but plan on doing so. Women are not choosing
to be leaders; they are undermining themselves by not ‘sitting at the table
with the men and by leaving before they leave’ (thinking about having children
long before the situation presents itself and adjusting their career goals accordingly), as Sheryl Sandberg says. Funny how
not much has changed since the 1980s when I was starting out in the work world.
Thirty
years ago, Susan Schenkel, PhD, a psychologist, published an excellent book
called Giving Away Success—Why Women Get
Stuck and What to do about it. You can find it on Amazon (Kindle edition) at
http://www.amazon.com/Giving-Away-Success-Women-Stuck-ebook/dp/B00DS5QKJE/ref=tmm_kin_swatch_0?_encoding=UTF8&sr=1-1&qid=1390668266.
I read it when it first came out, at a time in my life when I was really just
starting out in the work world and when I devoured most of these kinds of
books. Games Mother Never Taught You
by Betty Lehan Harragan was another favorite: http://www.amazon.com/Games-Mother-Never-Taught-You/dp/0446357030/ref=sr_1_1?s=books&ie=UTF8&qid=1390677004&sr=1-1&keywords=games+mother+never+taught+you.
The kinds of books that told women to believe in themselves, to take themselves
and their dreams and goals seriously, how to tackle the business world, how to
get ‘unstuck’ when you were caught in a spiral of inaction and lack of ambition,
how to deal with anger, assertiveness and aggressiveness, and how to identify
negative thoughts and thought patterns—in order to be able to commit to a career
or career path. Schenkel’s book was a cut above the rest; not only did it
clearly identify the problems women faced, but it came with solutions for how
to deal with them, helpful solutions that I use to this day when I get ‘stuck’.
I recently re-read specific sections of her book and it is every bit as
relevant today as it was when I first read it. Perhaps more so, because I
finally understood that I have been stuck in my own negative thought patterns
concerning my present job during the past four years, and that I needed to practice
‘thought stopping’ as suggested by Schenkel. Believe me, it works. But it took
a long time for me to get around to ‘wanting’ to stop the negative thoughts. Why, is the operative question. Is it more
comfortable to wallow in the negative feelings? Do they allow us to remain
inert, to not make a decision, to not want to change your life? I could answer
yes and I could answer no—because whatever I answer could not answer the
question 100%. I think it is our subconscious thoughts about ourselves that keep
us stuck. Every now and then they surface, become conscious thoughts, and give
you a glimpse of your feet stuck in mud. Sometimes it feels like quicksand; if
you attempt to move, you will only sink deeper into it. Sheryl Sandberg has a
lot of good points that women in this generation need to hear, but Susan
Schenkel dealt with the problems of women getting in their own way already
thirty years ago. Women are still getting in their own way; but we don’t always
know why. We give up when we should fight, we fight when we should give in, we
don’t bounce back from failure very well, and we have a harder time visualizing
ourselves being happy and an easier time visualizing that a lot of what happens
to us is our fault. That doesn’t describe all women all the time, but it
describes a lot of women I know, including myself, at least some of the time.
That is why I want to dissect Sheryl Sandberg’s thoughts, to figure out how
much of my own current situation is me and how much of it is
externally-influenced. Because it’s important that her book not cause women
more stress in the sense of not being able to live up to the author’s
convictions. We don’t need a book to tell women the problems with them without
giving them the answers, or at least attempting to. There are no perfect
answers because the world we live in is not perfect.
When I was
younger, I was the type to take the bull by the horns and to go after what I wanted.
I did it as a student in grammar school, high school, and college—I wanted good
grades and a degree in science. I got them. I did it each summer when I wanted
a summer job, and got them as well. I was persistent and stubborn and didn’t
give up in the face of defeat. I went after any and all opportunities that were
thrown at me during the seven years I worked at a major research center in New
York, and they were not few because it was a great place to work. I didn’t get
everything I wanted there (to do a PhD and continue to work at the same time). So I understood after seven years there that it was time to
move on. And I did. The problem was figuring out what to do with my life. As
luck and fate would have it, I moved abroad and started a new life in a new
country. I ended up doing a PhD, working in medical research, and doing what
was necessary to advance in my profession (post-doc and junior scientist—all grant-funded
from external sources based on grant applications that I had written). I came up
with my own research ideas that funded my salary. My company didn’t have to pay
my salary since I managed to drag in funds to pay myself. I didn’t doubt my
abilities too much along the way. I reached the level of professor competency,
and that’s where I am today. But the workplace as we know it has changed
dramatically just within the past decade—there are budget cuts and high
personnel turnover rates; people come and go and there is very little stability
or continuity in the practice of research. You must reinvent yourself
continually, and you're only as good as your last publication. And as everyone knows, it's a catch-22 situation; you must have grant money to get students in order to publish, but it's your publications that get you grant funding. I know it’s time to leave this organization; I knew that already
four years ago. However, I’ve gotten stuck in negative thought patterns: too old
to change jobs (reinforced by many well-meaning people I know); too specialized
(also reinforced by well-meaning colleagues); won’t be able to compete with the
younger crowd; too many responsibilities to others (a typical excuse if ever
there was one—they still need me); can’t keep up with the pace of things and
won’t have the energy to keep up (how do I know until I try?); and the list
goes on. I’m scared and I find that strange. I left my birth country and moved
myself across an ocean to another country, started a new life (personal and
professional), made new friends, got adjusted to another culture, and---I’m
afraid? Of finding a new job, of the unknown, of not being wanted, of making a mistake, of new expectations from
others, of the devil I don’t know rather than the devil I do know, of not being
good at something new. And I’m confused about whether to stay or to go, whether
to give more chances to a situation I know won’t change or to take the
leap into the unknown. I will re-read the two books that had such a profound
influence on my early work life and give Sandberg's a chance too. But I also want to reconsider the definition
of success at this point in my life, and to figure out whether I really want to
be in the business world at all, or whether I want to pursue the creative
dreams I have for myself. Because it has occurred to me that one of the reasons
I might be dragging my feet about changing jobs is that I want to invest most
of my waking energy in my creative endeavors. I don’t think that’s the excuse
for staying put, but I’m willing to do what’s necessary to figure that out. I
believe in my writing, but entering into the creative world is every bit as
daunting as it was starting out in the research world. I want to be sure it’s
the right thing, but I know deep down that I’ll never get that confirmation.
Life doesn’t work that way. You’ve got to take the leap first.
Friday, January 17, 2014
Celebrating a network of women
There is a lot of emphasis at present
placed on the importance of building networks in the work world, and how employees
won’t get very far professionally without them. Women especially are admonished
for not working harder to build and maintain their professional networks. You
never know when you may need them, and you never know when your network may
need you. I’ve reflected upon how this relates to my own life. Most of my professional
network contacts are women. Many of my contacts/friends entered my life via my
different jobs, others through schools and universities, still others from the
neighborhood I grew up in. Those I’ve met via my different jobs have become my friends,
and we’ve stayed friends even after we’ve left the jobs where we met.
My professional and personal networks
overlap to a large degree; I consider my professional contacts to be my
friends. And my friends from outside of work, from my childhood neighborhood
and schools, are a support network for me in all ways, sometimes even
professionally. One of my friends and I collaborated on a consulting web project
together a few years ago, at her initiative. I wrote a report for another friend
who was thinking about investing in the building of a private lab for the
production of a malaria drug, also her initiative. Another friend--a research
scientist—asked for my help in publishing two articles on which we’d
collaborated during the past few years, and another friend asked me to provide
photos for a scientific writing project she was working on. I have helped a
teacher friend who had her grammar school class write letters to me to ask about
what’s involved in becoming a scientist. I organized a tour of my hospital
laboratory for the high school class of another teacher friend, so that the students
could get an idea of what it’s like to work in a lab on a daily basis, and to
see the techniques and instrumentation we use in our research. A photographer
friend asked me to model for her a couple of times, and has taken some nice portrait
photos of me that I have used professionally. Another photographer friend designs and formats the text and
covers of my published books.When I think back over the years, we have helped
each other in different ways. We’ve stepped up to the plate for each other and
gotten involved in interesting projects as a result, all of which have enriched
our lives, personally and professionally.
I want to acknowledge these women (of all
ages) who are a part of my life and who have enriched it beyond measure. I
consider each of them friends, including those who are family. They come from
all walks of life, and all of them are wonderfully different and talented women.
Many of them have combined work and family life with all of the attendant
difficulties and joys. Without naming them personally, I can list their various
lines of work here:
- at least ten scientific researchers, one of whom is an author and consultant , another who is an author and owner of a scientific publishing company
- two photographers and small business owners
- two social workers, one who heads a non-profit educational organization
- two teachers (one retired)
- supermarket head cashier
- president of a city university
- global marketing manager for a scientific company
- fundraising director
- a minister
- conflict resolution counselor, author and coach
- part-time educational and programming consultant
- university administrator
- owner of a scientific consulting company
- three doctors
- hospital and health professional
- soil conservationist
- paralegal
- computer services manager
- writer and editor
- national scientific liaison manager
- three librarians
- obstetrics nurse
- horseback riding instructor
- three senior research technicians (now retired; all women in their 70s, one of whom works as a consultant)
- nurse (retired)
- apartment superintendant (now retired; a family friend who is in her early 80s)
- tour guide (now retired, 85 years old)
- secretary (was my oldest friend from my first job, who passed away last year at the age of 86)
Society should be celebrating the lives of real women in all of the different media formats, instead of focusing ad nausea on worn-out celebrities and celebrity wannabes. There are, dare I say it, things to write about other than the size of this or that celebrity’s engagement ring or who had a wardrobe malfunction. Who cares? Is this what makes women interesting? The answer is no. That’s my take on it, and that’s my challenge to society at large. Celebrate the interesting women--the women on my list. They are the women who are advancing the world, one small step at a time, and they’re doing it without a lot of fanfare.
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